Join Our Mailing List

Bookmark and Share

  Home > News > Additional Stories

Read Derrick Weston Brown's Devastating Poetic Response to Charleston

By Sameer Rao
June 19th, 2015

Sometimes, in the immediate aftermath of a brutal tragedy like Wednesday's massacre of nine black civilians in Charleston by an avowed white supremacist, artists don't have the luxury of waiting for the blunt force of their creativity to go through publishers, managers, or anybody else. Instead, they take to the mediums most closely available—social media. 

Derrick Weston Brown, a prolific DC-based poet who counts being the first poet-in-residence at DC's legendary Busboys and Poets among his numerous accolades, did just that when he took to Facebook and wrote a damningly beautiful and stark treatise to the desperation felt by so many black people living under American oppression. Already, the post has hundreds of shares across various social media platforms. Check out the poem below, and see a statement from Brown after the jump:

Brown generously provided a statement to Colorlines on his work:

“I am a black poet who will not remain silent while this nation murders Black People. I have a right to be angry” –The #BlackPoetsSpeakOut  Movement Primary Statement.

I was born in North Carolina, and raised in Charlotte, a few hours away from Charleston and a short hop skip from Shelby NC where __________ was captured.  I needed to write that piece for me mostly. I posted it because I wanted share my anger.

I have to open with this very deliberate and direct statement because in these times we have to continue to be deliberate and direct in our words and actions despite the silence from those who establish policy and enforce laws.

 I have to thank the engineers and founders of the #BlackPoetsSpeakOut  movement; Poets ; Mahoghany L. Browne,  Amanda Johnson, Jonterri Gadson, and Jericho Brown, for the call out for Black Poets to speak  and speak again. 

I wrote this piece yesterday morning , in a few short minutes because I kept asking myself the question, “What Can We Have?”  And the answer kept coming back, “Can’t have nothing”.

Buy book now | Buy e-Book now | Back to Derrick Weston Brown's Author Page

Fucking Carrie Brownstein

By Michelle Cruz Gonzales
Pretty Bold Blog


Source: Frederick M. Brown/Getty Images North America)

Fucking Carrie Brownstein! She’s smart, cute, a riot grrl, in a super awesome band that everyone loves, even critics; she has a super funny, edgy TV show, and now she’s publishing a memoir. Hunger Makes Me a Modern Girl (Riverhead Books) is due out October 27th, just two days before my forty-sixth birthday. My memoir, The Spitboy Rule: Tales of a Xicana in a Female Punk Band (PM Press) isn’t due out until Spring 2016. Just what, I ask, will Brownstein’s memoir be about? What has she done?

There should be some kind of law that you can’t write a memoir until you’re forty-five, until you’ve lived at least half your life like I have. I was already forty-five when I got word my memoir would be published.

When I got the news from PM Press, I didn’t run straight to my family to tell them the good news, hug them, or cry. No, I thought this instead: Okay, now, I just have to not die before it’s in print.

So imagine my shock last night, squinting at a Riverhead Books Instagram post on my phone announcing Brownstein’s book, my dismay at always having to be in the shadow of those sexpot riot grrls.

I should have known this would happen when I read her blurb on the back of Kim Gordon’s book A Girl in a Band, which credits her as —Carrie Brownstein, writer, actor, musician. I know she writes. However, to declare her a writer in that way, on that book is a bit like product placement.

Alice Bag, the most famous and legendary Chicana punk, Viv Albertine, of the Slits, and Kim Gordon, Sonic Youth, all did the decent thing and waited until they were in their fifties to publish their memoirs. The four of us will have to think very carefully about whether we’ll let the youthful, fancy pants Brownstein into our edgy female writer/musician’s club.

There is consolation in the fact that while Brownstein’s book will be published before mine, people will read my book too, because Alice Bag, Viv Albertine, Kim Gordon, and now, Carrie Brownstein have laid the groundwork, and because everyone wants to be a rock star, even if it’s only as long as it takes to read three hundred pages. It just isn’t fair always having to live in the shadow of those damn riot grrrls, who are and always have been younger and more pop-culture than I am.

In conclusion, I must ask the obvious question. Who are they going to let write a memoir next? It seems that there should be some sort of cap, some sort of quota. We can’t just let any literate woman who can play an instrument write a memoir. What would people think? What kind of message would that send? Americans might actually start to really believe at younger and younger ages that women can and should be heard, that women should have a voice, be musicians, writers, artists, great thinkers and creators worthy of solid place in history.

This entry was posted in punk rock, Spitboy and tagged , , , , , , , , , , , , , , , , on June 19, 2015.

Buy The Spitboy Rule now | Buy The Spitboy Rule eBook now | Back to Michelle Cruz Gonzales's Page

Vνctor Jara and Revolutionary Fatherhood

By Gabriel San Román
Latino Rebels
June 21st, 2015

Portraits of revolutionaries hang in our homes. Biographies of their lives fill our bookcases. Their public displays of courage against the injustices of the day inspire us to be eternally vigilant. But all too often our role models, especially of men for men, are largely divorced from family life in the popular imagination.

Think about it. Did Pancho Villa have children? Yes. But what do we know about the relationship they had with their father? Do they come as immediately to mind as his successful evasion of U.S. General John “Black Jack” Pershing or his daring raid on Columbus, New Mexico? Or, perhaps, even at all? What might our radical education be like if we spoke of exemplary figures in terms of embodying both a life of rebellion and deep, loving care for children, particularly their own?
For years, I’ve looked up to legendary Chilean folk singer Víctor Jara for what it means to be a complete human being.

His weapon of choice was a guitar. He wasn’t a bandoleer wearing revolutionary or a gun-toting guerrilla in the mountains of Latin America. His politically uncompromising music aligned with socialist Salvador Allende right through the spectacled politician’s historic election to the presidency on September 4, 1970.

Despite the singer’s non-violent nature, Jara became a martyr nonetheless. Following the September 11, 1973 coup that overthrew Allende and imposed the dictatorship of Augusto Pinochet, the imprisoned singer-poet was murdered by a flurry of army bullets inside Chile Stadium. It’s one of many tragic chapters in the story of 20th century Latin America.

Without a doubt, Víctor Jara inspires me as a popular musician and martyr, but there’s still so much more to him. He was a theater director, an artist, a father, a stepfather, a loving, faithful husband and consummate family man. Jara’s compassion for children is laid out in his body of work.

As a son, Jara carried in him throughout his own brief life a difficult relationship to his father. Born in Lonquen to Manuel and Amanda Jara, Víctor recalls working the fields with a plow as a young boy with his father. Living in rural poverty, other memories in the home were unpleasant. Manuel Jara drank his problems away, disappeared from the home and reappeared to beat his wife. The trauma of domestic violence aired itself out later in the intimate lyrics of Víctor Jara’s “La luna es muy linda.”

The musician evolved out his volatile upbringing with a sincere tenderness for children. A number of songs that he sang, from “Canción de cuna para un niño vago” to “El niño yuntero,” a Miguel Hernández poem set to music, display a deeply human concern for their impoverished lot in life.

Best among his songs is “Luchín” with lyrics that speak of a young Chilean shantytown boy playing with a modest cloth ball. “If there are children like Luchín / Who eat dirt and worms / Let’s open wide their cages / So that they can fly like birds.” Beyond songs, some of the most popular images of Jara are of him surrounded by shantytown children as he played his guitar much to their innocent amazement.

Other well-known photos of Víctor Jara showed him, again, with guitar in hand surrounded by children, this time his two daughters, Manuela and Amanda. Jara fell deeply in love with Joan Turner, a British woman living in Chile. She had been married before to a Chilean choreographer, only to have it dissolve when his heart left hers for another. All of this happened when Joan was pregnant with their daughter Manuela.

Víctor Jara later took Manuela in as if she were his own. He married Joan Jara and they had a child, Amanda, together. Joan Jara’s book “Víctor: An Unfinished Song,” gives insight into their family life. “Víctor was a very good father. He learned to change nappies and powder a small bottom, was good at doing things that needed a firm and gentle touch, like cleaning wounds on children’s knees, extracting splinters or cutting babies’ toe-nails,” she wrote. And he loved Manuela and Amanda’s mother with firm fidelity.

How many revolutionaries do we look up to that display a sense of conviction and courage in the social matters of the day, but also create poetic narratives of children as being central to them? Better yet, Víctor Jara was a revolutionary Rad Dad and a hell of a one at that. His life was cut short by the horrors of fascism, but not before giving us more than enough to humbly attempt to model ourselves after.


Gabriel San Román is the author of “Venceremos:” Victor Jara and the New Chilean Song Movement, and a writer with the Orange County Weekly.

Buy “Venceremos”: Víctor Jara and the New Chilean Song Movement now | Buy “Venceremos”: Víctor Jara and the New Chilean Song Movement e-Book now | Back to Gabriel San Román's Author Page

Talk Nation Radio: Waging Peace with David Hartsough

Before It’s News
June 16th, 2015

Listen HERE

David Hartsough is the author, with Joyce Hollyday, of Waging Peace: Global Adventures of a Lifelong Activist. Hartsough is executive director of Peaceworkers, based in San Francisco, and is cofounder of the Nonviolent Peaceforce. He is a Quaker and member of the San Francisco Friends Meeting. He has a BA from Howard University and an MA in international relations from Columbia University. Hartsough has been working actively for nonviolent social change and peaceful resolution of conflicts since he met Dr. Martin Luther King Jr. in 1956. Over the last fifty years, he has led and been engaged in nonviolent peacemaking in the United States, Kosovo, the former Soviet Union, Mexico, Guatemala, El Salvador, Nicaragua, the Philippines, Sri Lanka, Iran, Palestine, Israel, and many other countries. He was also a peace educator and organized nonviolent movements for peace and justice with the American Friends Service Committee for eighteen years. Hartsough has been arrested more than a hundred times for participating in demonstrations. He has worked in the movements for civil rights, against nuclear weapons, to end the Vietnam War, to end the wars of Iraq and Afghanistan and to prevent an attack on Iran. Most recently, David is helping organize World Beyond War, a global movement to end all wars:

Total run time: 29:00

Host: David Swanson.

Producer: David Swanson.

Music by Duke Ellington.

Buy Waging Peace | Buy Waging Peace e-Book | Back to David Hartsough's Author Page

Global peace activist speaks

The Times-Standard
June 19th, 2015

Global peace activist David Hartsough will speak on the “Power of Nonviolence” and his recently published book, “Waging Peace: Global Adventures of a Lifelong Activist,” at the Humboldt Unitarian Universalist Fellowship, 22 Fellowship Way in Bayside at 7:30 p.m. tonight (preceded by a potluck dinner at 6:30 p.m.). The Humboldt Friends Meeting, the Humboldt Unitarian Universalist Fellowship and the Veterans for Peace Golden Rule Project are sponsoring this gathering.

Hartsough has been active in peacemaking and nonviolent movements around the world and will share some of those experiences. He has used his body to block Navy ships headed for Vietnam and trains loaded with munitions on their way to El Salvador and Nicaragua. He has crossed borders to meet “the enemy” in East Berlin, Castro’s Cuba and present-day Iran. He has marched with mothers confronting a violent regime in Guatemala and stood with refugees threatened by death squads in the Philippines.

Hartsough’s stories in “Waging Peace” educate and encourage readers to find ways to work for a more just and peaceful world. Inspired by the examples of Mahatma Gandhi and Martin Luther King Jr., Hartsough has spent his life experimenting with the power of active nonviolence. His stories provide a peace activist’s eyewitness account of many of the major historical events of the past 60 years, including the Civil Rights and anti-Vietnam War movements in the U.S., as well as nonviolent efforts in the Soviet Union, Kosovo, Palestine, Sri Lanka and the Philippines.

Waging Peace” is more than one man’s memoir. Hartsough shows how this struggle is waged all over the world by ordinary people committed to ending violence and war.

Hartsough will also be participating in the re-christening and launch of the Ketch, the Golden Rule at 2 p.m. Saturday at Zerland and Zerlang Marine Services, 1493 Fay Ave. in Samoa. The Golden Rule, found at the bottom of Humboldt Bay and refurbished by Veterans for Peace and others, was originally used in 1958 to protest the testing of nuclear weapons in the Marshall Islands. It was part of Hartsough’s inspiration for his lifetime of peacemaking.

Hartsough is the director of Peaceworkers based in San Francisco, co-founder of the Nonviolent Peaceforce and co-initiator of World Beyond War: A Global Movement to End All War. Hartsough met Martin Luther King in 1956 and has been active in the civil rights and peace movements since the 1950s and has worked as a peacemaker in many parts of the world and helped build many nonviolent movements.

Buy Waging Peace | Buy Waging Peace e-Book | Back to David Hartsough's Author Page

A History of Feminist Speculative Fiction: Sisters of the Revolution

By Mahvesh Murad
May 29th, 2015

The stories in Sisters of the Revolution: A Feminist Speculative Fiction Anthology does exactly what you’d want them to—they tear apart cliches, they question gender and it’s implications, they look at identity using satire and humour and darkness with a sharp intellectual examination of stigma and society’s rules.

Put together by well known and highly regarded award winning editors Ann and Jeff VanderMeer, it’s a solid collection for anyone who wants to see how far feminist SF has come, with stories spread across the last 40 years or so.

Sisters of the Revolution
began life as a Kickstarter campaign and is co-published with PM Press. The stories are from a wide variety of SF-nal genres—there’s futuristic SF, there’s fantasy and myth and surrealism. While the stories are mostly reprints, they’re each an equally strong voice, placing classic SF writers like Ursula Le Guin and Octavia Butler along side contemporaries like Nalo Hopkinson, Nnedi Okorafor, Catherynne Valente and Karin Tidbeck. Though the classic are of course, always wonderful to read and admire (who isn’t still affected by James Tipree’s The Screwfly Solution, even at a repeated reading?), it is of course some of the newer stories that have not been read before that may stand out more, especially the ones that bring to attention writers of colour from non-western cultures. Nnedi Okorafor’s strong oral storytelling style in The Palm Tree Bandit is perfect for the tale of the woman who upends patriarchal norms and help change society. Nalo Hopkinson’s wonderful rhythms in the story The Glass Bottle Trick create an effective, chilling atmosphere for her take on the Bluebeard myth. Hiromi Goti’s Tales from the Breast is a beautiful, evocative story about new parenthood, nursing, and the complicated relationship between a new mother, her body, and her baby.

Some of the other contemporary stories that stand out are Catherynne Valente’s Thirteen Ways of Looking at Space/Time, a Locus Award finalist in 2011 and a reimagining of the creation myth; Ukrainian writer Rose Lemberg’s Seven Losses of na Re, about a young woman whose name is power; and Swedish writer Karin Tidbeck’s Aunts, a fantastic story about three enormous women who only live to expand in size. They eat and eat and eat, until they are so large that they can not breathe. They then lay down and die, with their bodies split open for their awaiting nieces to dig out the new ‘aunts’ from old ones’ rib cages.

The collection includes writers whose stories are now synonymous with SF in general (not just feminist SF): Ursula Le Guin’s Sur is about an all female team of explorers headed to Antarctica, Octavia Butler’s The Evening and the Morning and the Night is about a gruesome, horrific fictional disease and the equally horrific societal stigmas that result from it, Joanna Russ, whose seminal 1975 novel The Female Man had a massive impact on many women writers is featured in the anthology with a forty year old story called When It Changed, one that remains valid to this day, in its look at power dynamics between the sexes.

Tanith Lee’s inclusion in the anthology now feels poignant, given her recent death, but there is even more reason for more people to read her work and note her significance. This collection includes her 1979 story Northern Chess, a cleverly subversive sword and sorcery tale featuring something rare in such stories from that time—a female lead with agency and power.

Another name that deserves mention is of course Angela Carter, whose influence is vast. Her take on Lizzie Borden’s story in The Fall River Axe Murders is about the woman who hacked her family to death yet was eventually acquitted. The entire story takes place in moments (though it’s over a dozen pages long) and leads up to what we already know—that Lizzie would brutally murder her family. But it’s unimportant that we already know where this is headed—this is Angela Carter, even her weakest stories (if there are any) are masterpieces of mood and atmosphere. Of course, in this story Carter is very much pointing out that the damage done to a young woman by not allowing her to grow, to learn and to be free is irreparable, and affects more than just the woman in question.

In the introduction to Sisters of the Revolution, the editors accept that a collection like this will always seem a little incomplete, always seem a little lacking, given that the canon of feminist SF is constantly increasing—particularly when it comes to including more POC female writers, more and more of whom are finding their voices, finding their groove, their space in the field.

Regardless, a collection like this holds its own firmly and is a great resource for anyone looking to understand the history of feminist SF short stories.

Buy Sisters of the Revolution | Buy Sisters of the Revolution e-Book | Back to Ann VanderMeer's Editor Page | Back to Jeff VanderMeer's Editor Page

S. Brian Willson reviews David Hartsough's Waging Peace

By S. Brian Willson   

Peace in Our Times

Spring 2015 issue

We are fortunate to finally have David Hartsough’s Waging Peace, an extraordinary description of his amazing sixty-year journey as an activist spanning the entire Cold War and continuing to the present. As one of today’s authentic elders, Hartsough offers us a body of experiential knowledge presented in dramatic detail sometimes easily forgotten in today’s digital era of short memories.

Hartsough excitedly shares wisdom garnered from a broad range of experiences: direct, nonviolent confrontation of Cold War policies during his travels in Europe as well as in the US; active participation in the Civil Rights movement (he met Martin Luther King, Jr. at age 15); becoming a conscientious objector to US military conscription in the 1950s; participating with others in physically blocking weapons and military ships headed for Viet Nam; actively obstructing, with hundreds of others, the construction of nuclear power plants; accompanying aggrieved, impoverished campesinos facing historically repressive military threats in El Salvador, Guatemala, Mexico, and Palestine; facing death squads in the Philippines and Chiapas, Mexico; visiting Russia during the Cold War and again in 1991 when he joined many Russians in efforts to avert a coup ousting the reformer Mikhail Gorbachev; leading delegations to Iran creating citizen-to-citizen diplomacy; traveling over the years to the region of ex-Yugoslavia in efforts to participate in strategic nonviolent alternatives to the violence unleashed when Yugoslavia was broken up significantly due to US policies; recently protesting drone warfare with increasing numbers of others by obstructing entrances to drone bases in efforts to confront the most insidious and diabolical of all terror policies; among many, many examples of citizen power.

In the chapter, “Assault on the Tracks: Facing Violence With Love and Courage,” Hartsough describes his first-person, eyewitness account of the horrendous assault – attempted murder – that occurred at the Concord, California Naval Weapons Station on September 1, 1987—the first such account to be published, as far as I know. He was one of many protestors, organized under the name Nuremberg Actions that had been vigiling all summer, in direct confrontation of the movement of munitions by train and truck from the Pentagon’s largest West Coast arsenal.

Hundreds had already been arrested and jailed for trying to stop the flow of munitions to El Salvador and Nicaragua, where they were being used to murder and maim thousands of campesinos struggling for justice after decades of brutal, US-supported repression. President Reagan had signed new executive orders to counter “terror” at home and abroad, in effect reinstituting the FBI’s feared COINTELPRO—orders that remain in effect today. Reagan made the ridiculous claim that these impoverished people in Central America were creating a Soviet-inspired Communist beachhead “just two days driving time from Harlingen, Texas,” and that the US Americans dissenting from his policies of murder were terrorists themselves. On that day in September 1987, three veterans, after providing plentiful notice and surrounded by 40 others in solidarity, including Hartsough, began a munitions train blocking action just before noon. The train speed limit was 5 mph, its legal protocol required it to always stop awaiting arrests by police when demonstrators were present on the tracks. Two Navy spotters always stood on the front platform of the locomotive in radio contact with the engineer to assure clear tracks. On this particular sunny day, the locomotive accelerated to 17 mph, more than three times the legal speed limit, catching everyone off guard. One blocker (this reviewer) was unable to get off in time, losing both legs below the knee and suffering a fractured skull among a multitude of injuries. Hartsough, standing immediately next to the tracks, had his arm struck by the speeding locomotive knocking him to the ground from which vantage point he observed the dragged blocker “getting smashed from side to side as the train continued another four hundred feet before stopping,” Of all of his years of resistance, Hartsough described this as “the most horrible experience of my life.” 

In 2003, as a result of his many observations of conflicts in various countries, Hartsough helped launch the Nonviolent Peace Force (NPF), deploying teams of multinational citizens trained in nonviolence to accompany and stand in defense of endangered people in critical global locations.

Hartsough’s inspiring life story teaches us so much about the power of conscience and militant nonviolence, shaped by his years of participation with thousands of others in creative and educational resistance actions. He and his family also have modeled “right livelihood,” with modesty and humble simplicity, conscious of the old motto, often ascribed to Gandhi, “live simply that others may simply live.”

This is a primer for learning many practical approaches to militant, nonviolent revolution. Read and study it. You will not be sorry.

S. Brian Willson is a Viet Nam veteran, trained lawyer, long time peace activist, and member of Veterans For Peace.

Buy Waging Peace | Buy Waging Peace e-Book | Back to David Hartsough's Author Page

The Knitting Circle Rapist Annihilation Squad reviewed in Marvel at Words

Marvel at Words
July 9th, 2014

Summary: The six women of the Knitting Circle meet every week to talk, eat cake, and make fabulous sweaters. Until the night they realise they are all the survivors of rape—and that not one of their assailants has suffered a single consequence. Enough is enough! The knitting circles becomes the Knitting Circle Rapist Annihilation Squad. They declare open season on rapists, with no licenses and no bag limits. With needles as their weapons, the revolution begins!

Rating: ★★★☆☆ 3/5

Review: I think my expectations were too high for this one. I knew of some of Derrick Jensen’s non-fiction books, and his general political leaning. So a book by him about a group of women forming the Knitting Circle Rapist Annihilation Squad had to be amazing, right? Not so right.

Let’s start generally. Generally, this book reads like it’s written for 9-13 year olds. At several points i considered giving this book to my 9-year-old niece, the only thing that stopped me was the fact that she wouldn’t understand a lot of the references. Generally, the humour is trying too hard. It’s past funny and into cringe-worthy slapstick territory. It’s not clever humour, it’s not even well done humour, it’s loud and poorly written humour. Generally, none of the characters were well-developed or likeable. They weren’t hateable, either, they were just two dimensional and there to serve an obvious point. Generally, the plot progression was ridiculous.

Nothing was believable. Maybe i was being to logical and rational in a book that had neither of those things, but i’d like a story about the eradication of rape to be somewhat based in reality.

More specifically, i like that the book broaches important topics that are not often discussed in day-to-day life. Rape, exploitation of women, women’s rights, media influence, police brutality, how fucked up politics is, religion, extremist groups and more. It broached these topics, but it did not discuss them. Instead, it tried to use humour and over the top caricatures to make their opinion of these things clear. Key word in that last sentence: tried. Rather than making their opinions clear, they shoved them into the reader’s face, while using such awful humour, i’m sure anyone who didn’t share the opinions would laugh it all off as a bad joke.

Ultimately, that’s my problem. That this book isn’t doing anything. It could have provided readers with an opportunity to think about things, things they might not have considered before, because they are told by the world that those things are normal. It could have helped a lot of people start to think about their life and the world around them a little more. Instead, it’s a poorly written book of bad humour. Wavering close to offending me, and allowing others to laugh at what they should be thinking about.

Purely on quality, this book is really only worth two stars, but i felt obligated to throw on an extra, because it is at least trying to write about subjects that should be written about–read about–more. But really, it’s a book about rape. I think this book could have been so much more well written, and with witty, intelligent humour. I think this book could have been written with a lot more respect.

Buy this book now | Download e-Book now | Back to Derrick Jensen's Author Page
| Back to Stephanie McMillan's Author Page

The Knitting Circle Rapist Annihilation Squad reviewed in Books, Life & Wine

By Mrs. Joseph
Books, Life & Wine
February 26th, 2015

In this darkly comic novel, the six women of the Knitting Circle meet every week to talk, eat cake, and make fabulous sweaters. The easy-going circle undergoes a drastic change when the members realize they are all the survivors of rape—worse still, that none of their attackers suffered consequences—and the group becomes the vengeful Knitting Circle Rapist Annihilation Squad, taking punishment into their own hands via their knitting needles. As the women take their revenge, groups of men issue statements against the vigilante ladies, from the Chamber of Commerce to the sinister Men Against Women Against Rape (MAWAR), plotting to stop and punish the Knitting Circle. Featuring strong female characters, this satirical piece explores love, revenge, feminism, violence, and knitting.

The Knitting Circle Rapist Annihilation Squad is a book I picked to read during my Scribd trial but I couldn’t get into it. DNF at 60%.

The plot idea and the blurb all sounded extremely interesting so I decided to read it when I started my Scribd trial. I was expecting a dark comedy – something like the movie Heathers.

Sadly, The Knitting Circle Rapist Annihilation Squad was more of a forced “chuckle, chuckle” than a dark comedy to me.

The Knitting Circle Rapist Annihilation Squad
starts with a woman on her way to a “special” dance class offered by her dance teacher (ballroom dancing). When the character arrived at the class she finds herself alone with the instructor – apparently the “special” class was an invitation to be raped. Instead of letting the instructor rape her, the character kills him with her knitting needles – and we’re off!

The Knitting Circle Rapist Annihilation Squad is funny, don’t get me wrong, but the funny wore really thin really quickly. Rape is a big deal and it happens all the time. Some of the points being made by the book – the men all being horribly clueless about rape and the (male) police not focusing on the rapes (crimes against women) but trying to put as much manpower into solving the murders (crimes against men) – all rang true. Sadly true.

“This is Franz Maihem with ultraurgent breaking news. We are linking you live to our FBI contact Chet Stirling for an emergency announcement. Chet, go ahead.”

Chet stands at his desk for several awkward seconds, staring blankly at the camera as the audio delay ticks by. Then his voice crackles as he says, “We have received a communiqué from the so-called Ice Queen Killers, whom our agency has classified as the greatest terrorist threat facing America today. They are more dangerous than al-Qaeda, the Taliban, North Korea, or Iran. They are even more dangerous and ruthless than domestic environmentalists. They are our top priority and we pledge to eradicate them.”

Franz asks, “What does the communiqué say, Chet?”

“It says, ‘We will stop killing rapists when men stop raping.’”

Franz asks, “That’s it?”

“That’s it. The entire message.”

Franz asks, “What the heck does it mean, Chet?”

Chet responds with the uncertainty of a man standing waving his arms while he cries, “Where’s my ass?”: “Well, Franz, we’re baffled. We have no idea what this could possibly mean. It’s certainly shocking and depraved, but you know chicks, I mean women—they’re incomprehensible.”

“What do women want? That’s the age-old question, isn’t it, Chet?”

“Yes. We’ve done extensive research on this question, and experts concur that women are irrational, hysterical, and contradictory. They often say no when they mean yes. In fact, sometimes they’re saying no with their mouths at the exact moment their eyes, and often their tantalizing breasts, are saying yes. They are devious, manipulative, lying, cheating, slutty whores.”

Franz clears his throat. “The message, Chet?”

Chet regains his composure, such as it is, and says, “Cryptologists are urgently trying to decipher this message as we speak. As soon as we figure out its precise meaning, we’ll alert the public. Meanwhile, please remain vigilant and report any suspicious activity.”
-The Knitting Circle Rapist Annihilation Squad, page 96

The book became even more sadly true when it talked about the lack of concern that men have dealing with rape.

I discussed some of my concerns about The Knitting Circle Rapist Annihilation Squad with my husband and he initially didn’t believe me when I said that crimes against women – especially rape – are under-reported and under-investigated. I told him that there are thousands of rape kits that were discovered sitting unprocessed in an improper storage facility in Detroit alone and showed him a couple of articles that made him speechless.

In Detroit:

More than 11,000 rape kits that were left in police storage, some for 20 years, are to finally be tested after a $4 million grant from the attorney-general.

The discovery of the kits gathering dust in a Detroit warehouse in 2009 has shocked prosecutors, who have pushed for the evidence to be processed and the rapists to be brought to justice.

On Wednesday Michigan Governor Rick Snyder and attorney-general Bill Schuette announced that $4 million in settlement funds will be used to examine the kits.

*Funds used to collect evidence from more than 11,000 Detroit rape kits
*DNA matched in 136 cases already, including 32 linked to serial rapists

Country (USA):

A five month CBS News Investigation of 24 cities and states has found that more than 20,000 rape kits were never sent to crime labs and an additional 6,000 rape kits from active investigations are waiting months, even years, to be tested.

Just…being 100% aware of how rape, rape jokes and rape culture is dealt with here in America…the slap-happy jokes and heavy handed sarcasm did not reach a level of comfortable for me. It just reinforced how horrible rape is dealt with here and how difficult it is for women to get justice for rape.

I may decide to try to read this again (based off of Stephanie McMillan’s resume) – but it will be quite some time.

Buy this book now | Download e-Book now | Back to Derrick Jensen's Author Page
| Back to Stephanie McMillan's Author Page

The Knitting Circle Rapist Annihilation Squad in Problems Worthy

By Rose Regina
Problems Worthy
March 21st, 2013

In addition to the high shock value name and reference to knitting, Derrick Jensen and Stephanie McMillan’s The Knitting Circle Rapist Annihilation Squad caught my eye from it arrived from PM Press because of the blurb on the back that referred to it as “Monty Python meets the SCUM Manifesto.” It did not disappoint.

The cover is brilliant. It has a knit background with a clothing label with the authors’ names at the bottom and most of the cover taken up by a shield shaped patch with “the knitting circle rapist annihilation squad” and a a ball of yarn with two knitting needles sticking through it and daintily dripping a single drop of blood. Copies of the patch are available from and

The plot is surprisingly substantial and full of endearing and plucky characters. The roast of television news anchors is priceless. Men Against Women Against Rape (MAWAR), a parody of men’s rights and Christian masculinity groups, is spot-on. I was impressed by smooth prose and the perfect lambasting of everything from the USDA and Department of the Interior to manarchists and a PETA-like animal rights organization cleverly named “PATE.”

Unfortunately, like many otherwise good, pop-culture friendly versions of rape culture feminism, this book leaves much to be desired in regard to recognizing the depth of race and class’s effects of societal structures. While I enjoyed the light-hearted, sardonic narrative about the obliteration of rape, I couldn’t help but think that even if rape disappeared, there are many people, including many, many women, who would still face some serious every day barriers to the relaxed, post-exploitation life this book hopes for. Arguably, if one’s disbelief is suspended enough to believe that killing rapists with knitting needles will actually end rape quickly and without the knitting needle wielders getting caught, then enough disbelief has been suspended enough to accept that racism and class also have been solved. There were a few spots throughout the book that indicated that in the vision of a post-rape society, or at least the people who are moving us rapidly towards a post-rape society, did not shed some fairly major hang ups regarding gender and social norms. I was also disappointed by the lack of representations of trans* people and non-hetero relationships. In spite of that, this book was hilarious and definitely a good option of funny fluff that mostly hits the nail on the head.
Perfect vision of a post-rape world this is not, but wonderful summer beach reading this is. I suspect that title alone will also do wonders for repelling people one might not want to engage with at the beach or on the subway.

Buy this book now | Download e-Book now | Back to Derrick Jensen's Author Page
| Back to Stephanie McMillan's Author Page


Quick Access to:



New Releases

Featured Releases

The Unknown Revolution: 1917-1921

The Road Through San Judas