Elizabeth Hand flunked out of college a couple of years after seeing Patti Smith perform and became involved in the nascent punk scenes in DC and New York. From 1979 to 1986 she worked at the Smithsonian’s National Air and Space Museum. She was eventually readmitted to university to study cultural anthropology and received her BA. She is the author of many novels, including Winterlong, Waking the Moon, Glimmering, Mortal Love, Illyria, and Radiant Days, as well as three collections of stories, including the recent Saffron and Brimstone. Her fiction has received the Nebula, World Fantasy, Mythopoeic, Tiptree, and International Horror Guild Awards, and her novels have been chosen as notable books by both the New York Times and the Washington Post. She has also been awarded a Maine Arts Commission Fellowship. A regular contributor to the Washington Post Book World and the Magazine of Fantasy and Science Fiction, she lives with her family on the coast of Maine.
Author: Elizabeth Hand
Publisher: PM Press/Outspoken Authors
Page count: 128
The title story, “Fire.” written especially for this volume, is a harrowing postapocalyptic adventure in a world threatened by global conflagration. Based on Hand’s real-life experience as a participant in a governmental climate change think tank, it follows a ragtag cadre of scientists and artists racing to save both civilization and themselves from fast-moving global fires.
“The Woman Men Didn't See” is an expansion of Hand’s acclaimed critical assessment of author Alice Sheldon, who wrote award-winning SF as “James Tiptree, Jr.” in order to conceal identity from both the SF community and her CIA overlords. Another nonfiction piece, “Beyond Belief,” recounts her difficult passage from alienated teen to serious artist.
Also included are “Kronia,” a poignant time-travel romance, and “The Saffron Gatherers,” two of Hand’s favorite and less familiar stories. Plus: a bibliography and our candid and illuminating Outspoken Interview with one of today’s most inventive authors.
“Hand is an expert at building mood and atmosphere in ways that you don’t realize until you feel it around you.”
“A superior stylist.”
—New York Times Book Review
“Real enchantment . . . Elizabeth Hand’s work possesses it in every word.”
—Francesca Lia Block, author of Love in the Time of Global Warming
“Elizabeth Hand’s prose is a wiry, intelligent force that ranges from blunt athleticism to fluid luminosity.”
—Katherine Dunn, author of Geek Love
“A predilection for probing the translucent borderline between magic and reality . . . a beautifully nuanced, often disquieting style.”
For a calendar of speaking events, please click here
- Fire.: True Review
- Maine’s Elizabeth Hand shares her fascination with apocalypse: Portland Press Herald
- Kirkus Mention
Fire. A Review
by Andrew Andrews
I have always enjoyed the work of Elizabeth Hand, one of the finest, if not THE finest, horror stylists we’ve seen.
In “The Saffron Gatherers,” in the present-day, professional authors and other artists gather to discuss their artistic work and the beauty of ancient art. This all happens when an East Coast author ventures to find a home near San Francisco. But appreciating art is all they may have, as a catastrophe on land happens during the artist’s plane trip home: a catastrophe that defines why even appreciation of long-ago art is not forgotten, and the work of an artist is oh-so transitory and subject to the tyranny of reality.
Maine’s Elizabeth Hand shares her fascination with apocalypse: A Review
by Michael Berry
Portland Press Herald
January 29th, 2017
Apocalypse, dystopia and natural disaster have always loomed large in Hand’s imagination, fueling, for example, her novels “Glimmering” and “Waking the Moon.” The selections in this latest collection reflect that tendency.
In “The Saffron Gatherers,” a woman travels to San Francisco to meet with her lover, only to be captivated by an ancient fresco prophetic in ways she cannot guess. Time, cause, effect and missed connections collide in the moving and mind-bending “Kronia.”