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Chumbawamba: Get on With It Live

Anyone who's been to a Chumbawamba show recently will testify to the importance and relevance of releasing this live album. The band engages and plays off the audience by approaching radical music from a warm and communal standpoint. Aware that so many bands just get on stage and play, refusing to interact with the audience, Chumbawamba are determined to make gigs inclusive, not alienating. People at gigs asked if they could buy the album that sounded most like tonight, and the band felt that none of their albums caught the show as it stands today. Get On With It: Live is pop, folk, a capella, politics, humor, four-part harmony and five-part anger. It's sing-alongs and hymns, throwaways and big choruses, old favorites, covers and unreleased songs, including two tracks only available on this North American release.

Tubthumping anarchists embrace English folk tradition, get audience singing harmony parts, and end war and starvation forever. It’s pop, folk, acapella, politics, humour, four-part harmony and five-part anger. It’s singalongs and hymns, throwaways and big choruses, old favourites, covers and unreleased songs.

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Now This War Has Two Sides

Where will you choose to make your stand? Give me a threshold, a specific point at which you'll finally stop running. At which you'll finally fight back. Stand with me. Stand and fight. I am one, and we would be two. Two more might join and we would be four. When four more join we will be eight. We will be eight people fighting whom others will join. And then more people. And more. Stand and fight.
--From the CD

Examining the premises of his latest controversial work, Endgame as well as core elements of his ground breaking book Culture of Make Believe, this two hour lecture and discussion offers both a perfect introduction for newcomers and additional insight for those already familiar with Derrick Jensen's work.

Whether exposing the ravages of industrial civilization, relaying humorous anecdotes from his life, or bravely presenting a few of the endless forms that resistance can (and must) take, Jensen leaves his audience both engaged and enraged.

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