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Announcing the Release of Peter Kuper's Diario de Oaxaca

PM Press is very proud to announce the release of Diario De Oaxaca: a Sketchbook Journal of Two Years in Mexico, an incredible view into the politics and culture of Oxaca during the uprising of 2006.

 

 

 

 

 

 

 

 

 

 

 

 

 

Peter Kuper is a cofounder and editorial board member of political graphics magazine World War 3 Illustrated and a teacher who has taught at New York's School of Visual Arts and Parsons The New School for Design. Best known for drawing Mad magazine's Spy vs. Spy comic since 1997, he has also illustrated covers for Newsweek and Time magazine. He is the author of the graphic novel Sticks and Stones, which won the New York Society of Illustrators gold medal, and his autobiography, Stop Forgetting to Remember. He lives in New York City. 

More about the book
Meet Peter Kuper
Advance reviews

Diario de Oaxaca

Diario de Mexico: A Sketchbook Journal of Two Years in Oaxaca
By Peter Kuper
Publisher: PM Press and Sexto Piso Editorial
ISBN: 978-1-60486-071-9
Published Sept. 2009
Format: Hardcover
Page Count: 208 Pages
Size: 9.25 by 6.5
Language(s): English and Spanish
Subjects: Art, Politics

$29.95

Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers’ strike and led to a seven-month siege.

When award-winning cartoonist Peter Kuper and his wife and daughter moved to the beautiful 16th-century colonial town of Oaxaca in 2006, they planned to spend a quiet year or two enjoying a different culture and taking a break from the U.S. political climate under the Bush administration. What they hadn’t counted on was landing in the epicenter of Mexico’s biggest political struggle in recent years. Timely and compelling, this extraordinary firsthand account presents a distinct artistic vision of Oaxacan life, from explorations of the beauty of the environment to graphic portrayals of the fight between strikers and government troops that left more than 20 people dead, including American journalist Brad Will.

 

 

 

 

 

 

 

 

 

 

 

 

 

The Buzz

“Kuper is a colossus; I have been in awe of him for over 20 years. Teachers and students everywhere take heart: Kuper has in these pages borne witness to our seemingly endless struggle to educate and to be educated in the face of institutions that really don’t give a damn. In this ruined age we need Kuper’s unsparing compassionate visionary artistry like we need hope.”
—Junot Díaz, Pulitzer Prize winning author of
The Brief Wondrous Life of Oscar Wao

“An artist at the top of his form.” —
Publishers Weekly

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Events

October 29, 2009 7PM

University of Michigan
Lecture /presentation

October 30, 2009
Toledo, OH
Toledo Ohio Museum: LitGraphic: The World of the Graphic Novel( Keynote address)
http://www.toledomuseum.org/Art_Exhibitions_LitGraphic.htm

November 28-29, 2009
Guadalajara Book fair
http://www.fil.com.mx/ingles/i_index.asp

 

Praise for Diario de Oaxaca

 
Diario de Oaxaca
By Bruce Jensen
Library Journal

In 2006, illustrator Kuper moved from New York to the impoverished but ethnically and historically rich southern Mexican city of Oaxaca, bringing his wife and pre-teen daughter. The region was wracked by a massive teachers’ strike that made headlines worldwide, by the corruption of the state’s notorious governor, and by conflicts in the streets involving tens of thousands of protesters and troops—an interesting place for a politically minded artist to be. Kuper has done covers and other illustrations for a host of major topical publications including TIME, Newsweek, the Progressive, and the New York Times, and has for more than a decade drawn the “Spy vs. Spy” comic series for MAD Magazine. This is the appealing product of his two years in Mexico. Kuper’s diary entries, paired with a side-by-side translation into Spanish, help set the context for the 150-odd pages of paintings, sketches, cartoons, and collages that are the highlight of this book. Kuper’s offbeat eye and his MAD sensibility make for some striking images—comical ones, too, such as his Day of the Dead tribute to the Peanuts gang, which shows the skeletal dog Znupé digging through a boneyard while his Charlie Brown ruminates about death. Fans of comics and art lovers will appreciate Kuper’s unusual take on a remarkable place. Recommended for libraries, particularly those with graphic art and design collections, as well as general bookstores.—Bruce Jensen, Rohrbach Lib., Kutztown, PA

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Diario de Oaxaca
By Michael C Lorah

A warning: this book missed Diamond's cutoff numbers, so you may have a hard time finding it in your local comics shop.  But it's worth the extra effort to track down a copy.  Peter Kuper, co-founder and co-editor of "World War 3 Illustrated" and current author of "Mad"'s "Spy vs. Spy", spent two years living in the southern Mexican state Oaxaca, arriving just in time for an annual teachers' strike in the cause of increased wages to turn violent, leaving dozens of people dead.
 
Diario De Oaxaca: a Sketchbook Journal of Two Years in Mexico
Fiction Book Review

Kuper has long been among the most politically engaged and stylistically distinctive artists working in comics, and both qualities take center stage here. This dazzling annotated sketchbook recounts two years Kuper and his family spent living in Oaxaca, Mexico. Anticipating a sojourn from American politics, Kuper instead found himself in a city roiled by a teachers' strike that was violently suppressed by the regional government. He recorded his observations in his sketchbook and in illustrated letters home, crisply reproduced in this bilingual (English and Spanish) book. Kuper's facility with diverse art media shines in early pages covering political action, as colorfully penciled protestors stand against rigidly inked military barricades set against the lush backdrops of Oaxaca. As the populist forces are rapidly suppressed, Kuper records a panoply of further visual impressions: beaches, stores, dogs, vendors, ancient ruins, street art and many, many insects. Throughout, Kuper's letters, rooted in personal observation but clearly intended as eyewitness reports for public consumption, provide helpful context. And if his increasingly profuse style mixing suggests a departure from earlier visual in the book, the final observations about a beautiful, merciless natural order obliquely ratify the political convictions that open the book. (Sept.)

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Diario De Oaxaca: a Sketchbook Journal of Two Years in Mexico
ForeWord Magazine

Kuper’s hardcover opus Diario de Oaxaca, excerpted briefly in Wordless Worlds, is not as distant as it might appear at first glance. Peter Kuper is probably stuck with his best known credit, “Spy vs Spy” in Mad magazine, at least until this publication (in its second half-century and now reduced to quarterly appearance) goes out of business. Kuper inherited the spy piece from another era of Mad, and it has been noticeably wordless all these decades (Kuper took over it over in 1997). The author of arguably the only pantomime strip in widely-distributed comic art, Kuper explored the wordless form throughout his career in graphic novels like The System and Sticks and Stones. With Diario, his sketchbook journal from two years of living in Mexico, he is the observer removed not by silence so much as a keen awareness of his personal status: as visitor.

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