Join Our Mailing List
Email:

Bookmark and Share


  Home > News > Additional Stories

The Day the Country Died: A History of Anarcho Punk 19801984 in Musique Machine

By Roger Batty
Musique Machine
August 2014

The Anarcho-Punk scene was one of the most pro-active, prolific, and controversial musical happenings of the early 1980’s britain. It focused Punk rocks original sound into an often more stark & aggressive form, and it also saw bands advocating direct action, concerned about animal rights  issues, environmentalism, and anti war/ anti- nuclear weapon propaganda.  The scenes golden period lasted between 1980 and 1984, and this is the period that “The Day The Country” covers.

This is a new/second edition of Ian Glasper truly definitive study on the scene & the time, and it appears on Oakland based independent/ anarchist publisher PM Press. The book first came out on Cherry Red Press back in 2012- so it’s very telling of the keen interest in this scene & it’s key bands, that the book gets a re-print just two years after it original appeared.  This new edition doesn’t really add much new or extra material from the original edition, a-side from a selection of recent portrait  pictures of key scene figures, and updates on reissues…but really I guess Glasper couldn’t feasible  have added too much else in, as the original edition truly was a very detailed  study of the Anarcho-Punk scene.

The coming-on 500 page paper back is divided into nine chapters, and each of these chapters covers one set area of the UK. Over the whole book Glasper covers a total of 79 bands from the scene- and he gives each an every band, no matter how big or small, it’s own entry in the book- in which he discussers the projects formation, it’s sound, it’s output, ect. For each of the 79 bands covered  Glasper has tracked down at least one member of the each project for a interview, and these interviews are wonderful snapshots of the time & the scene- yet they are never allowed to become over indulgent or too length, as Glasper has clearly edited them to focus in on rewarding scene stories, interesting band details, etc.

Each band entry runs between a few pages to around thirty pages for the likes of key Anarcho-Punk bands such as Crass, Conflict, Subhumans, Flux Of Pink Indians, and Rudimentary Peni. As well as the texts, we get rare pictures of each & every one of the bands covered too...so as I keep mentioning this truly is a definitive study of the scene, and clearly it must have taken  Glasper a very long time to interview, compile & research this book.

Obviously this book is a must have item for anyone who has even a passing interest in the Anarcho-Punk scene, but I can also see this appealing to anyone who enjoys any form of confrontational music or sonic art. As the book’s  highly readable & rewarding through-out, and it's thoroughly informative yet still concise & interesting over the whole of it’s near-on 500 page length.

A long overdue book focusing on the early years of one of punk rock’s most notorious and greatest loved bands, The Dead Kennedys.

In his prequel, author Alex Ogg reminds us that The Dead Kennedys have never been written about at length (see John Robb’s tribute here). The Ramones, Clash and Pistols have over 100 titles between them, and yet DK are arguably one of the bands that typifies punk at its best. They stuck two fingers up to the music industry and then lunged in to attack it. And who doesn’t recognise that logo?

If you don’t know the Dead Kennedys then:

  • a) seriously?
  • b) you need to book yourself into the punk reprogramming camp (does the opposite of the one in Aceh they sent Indonesian punks to) and immerse yourself particularly in their early works.

For those already inducted, read on…

“Fresh Fruit For Rotting Vegetables, The Early Years” does what it says on the tin. It starts by placing the key players and the band that would become Dead Kennedys in the context of the development of punk at a local San Francisco level and globally. It then charts their rapid progress in spite of, or possibly because of, a “cultural hand grenade of a name” from garage practices and their early performances, DIY released first 7 inch and onto their debut LP – all of which happened from their own reckoning by “pure dumb luck” – perhaps playing down the hard work and ingenuity which was partly responsible. As Louis Pasteur said “Fortune favours the prepared mind”.

Chapter titles are taken from DK songs, which is always a winner in my view, causing a wry grin. The pages are littered with band collages, Winston Smith’s art, gig flyers and Ruby Ray’s photos capturing the band in their infancy – which keeps the reader’s attention and makes this all the more difficult to put down. Photos of different covers and record middles from across the globe demonstrate how far their message spread across a world eager for acerbic high octane punk rock.  There are also excerpts from the “Hard Rock” comic about DK punctuating the story of pivotal events in the band’s early stages – in itself a humorous contradiction. I’ll be returning to this volume for a cursory browse at the pictures every now and then.

Alex Ogg manages to overcome the difficult job of providing a narrative that includes conflicting versions of events from former band mates who are at loggerheads, allowing the details and trivia to froth around so the reader can decide their own version of “the truth” from whatever bubbles to the surface.  He brings the story alive using interviews not only with band members, but with other contemporary witnesses including gig-goers. The writing manages to go some way to capturing the excitement, buzz, artistic freedom, true rebellion of punk rock in the early days when it really was a shock to the establishment rather than a music genre co-opted into corporate rock.  I came away from reading this book marveling once again at the musicianship, lyrical satire and sarcasm, theatrics, imaginative pranks and art that made Dead Kennedys stand out all those years ago – and still stand out now. Which led to me having a DK-athon over the last week!

Fresh Fruit For Rotting Vegetables, The Early Years is packed full of interesting facts and gossip:  I found out what that line about Serpents Eggs in California Uber Alles was really about rather than having a general gist it was “something bad”; the pizza delivery job Jello had back in Boulder being the inspiration for songs like Terminal Preppie and Holiday in Cambodia, and the true identity of Norm, the producer credited for Fresh Fruit for Rotting Vegetables.  Want to know about production processes and techniques they employed to capture and embellish upon their live sound to create  great records (and the obligatory conflict in the studio within the band and between the band and engineer)?  That’s in here as well.  Want to know who really wrote a particular song?  You’ll have to make your own mind up as each stakes their claim.

A chapter based largely on a stowaway-cum-roadie’s reminiscences provides an insight into the first UK tour Dead Kennedys undertook, bringing such cultural imports as stage diving and an amusing anecdote where the band misread the crowd’s sense of humour, thinking they had themselves misread the irony in the band’s lyrics.

The end notes detailing sources and full quotes provide a deeper level of trivia that some nerds…errmm, I mean “fact fans”, will absolutely love.  In the days before the internet this volume would have been a punk pub quiz host’s bible!   I have to admit I skipped much of the “Yakety Yak” chapter, comprised as it is of quotes about DK from some predictable punk/HC luminaries, a few journalists and the less predictable Pete Townshend (Who?), Elijah Wood and Massive Attack. Probably even something in there to impress Bruce “Punks can’t play their instruments” Dickinson.

Russ “Dr. Punk” Bestley, responsible for the image laden design of this book, submits a 3-page profile/homage to Winston Smith, whose artwork helped amplify the sound and lyrics of DK to create notoriety on a scale the Pistols could only have dreamt of.  Dada, situationism, Jamie Reid and Gee Vaucher all get a mention, of course.

The tale closes,as the title would suggest, after Fresh Fruit was released and drummer Ted left in December 1980.  Alex Ogg has left unpicking the rest of the DK story for “some other poor bastard” but I think he has proven he is the man for the job (go on, you know you want to, Alex!).  Whereas some band/artist biographies get bogged down in so much technical detail that you forget the generality of what you have read and lose track of what went on (I am thinking in particular of People Funny Boy by David Katz) our author has mastered the art of distillation which is just what you need to plot a path through a contentious story such as that of the Dead Kennedys.  Finishing the book, I was left reflecting that the Moral Majority and PMRC couldn’t destroy the band but they have done a pretty good job on each other since via the court system.  That’s another story in itself.

~ Get your copy from turnaround-uk.com, activedistribution.org and pmpress.org - See more at: http://louderthanwar.com/fresh-fruit-for-rotting-vegetables-the-early-years-by-alex-ogg-book-review/#sthash.25ip858k.dpuf

Buy this book now | Download e-Book now | Back to Ian Glasper's Author Page



What's Related

Story Options

Search

Quick Access to:

Authors

Artists

New Releases

Featured Releases


Signal 06: A Journal of International Political Graphics & Culture

The Young C.L.R. James: A Graphic Novelette